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南帆散文被认为是开创了“审智”散文的写法,但他的散文应同时置于“思”和“诗”的维度中去看。富于“思”的色彩,是南帆散文的基调,以独特的方式通达“诗”的彼岸,才是南帆散文独树一帜的地方。“思”既表现为对特殊题材的选择,也表现为视角上的陌生化,以及作为一个富有批判性的学者的历史反思视角;“诗”则包含了一种人文的情怀、文体创新的意识和风格的形成;“思”向“诗”充满对抗性的过渡,则体现了南帆散文在理论思考与生命体悟之间的平衡能力。
Nanshang’s prose is considered as a way to create a prose as a prose, but his essays should be viewed in the dimensions of thinking and poetry. The color rich in “thinking” is the keynote of Nanfan prose, and the unique way of communicating “the poem” is the unique place of Nanfan prose. “Thinking ” is not only manifested in the selection of special themes, but also in the perspective of defamiliarization and the perspective of historical reflection as a critically acclaimed scholar; “Poetry ” contains a kind of humanistic feelings, The formation of consciousness and style of stylistic innovation; the transition from “thought” to “poem” is full of antagonism, which reflects the balance between theoretical thinking and life comprehension of Nanfan prose.