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库恩在其科技哲学名著《科学革命的结构》中提出了一个重要的范畴“范式”后,范式的概念旋即在很多的研究领域被运用,余英时先生在《近代红学的发展与红学革命》一文中把范式运用于红学的研究中,他认为范式的意义在于“他一方面开启了无穷的法门;而另一方面又留下了无数的新问题。”杨柏岭教授新著《唐宋词审美文化阐释》正是具有这样范式意义的著作。广阔的视野、独特的视角、细密的分析、同情的了解使得该书成为近来出版的词学著作中具有独到见解的一部。
After Kuhn proposed an important category “paradigm” in his scientific and technological philosophy “Structure of Scientific Revolution”, the concept of paradigm was immediately applied in many fields of research. Mr. Yu Yingshi pointed out in his article “The Development of Modern Redology and the Revolution of Redology In his article ”The Paradigm“ is applied to the study of ”Redology“. In his opinion, the significance of the paradigm lies in the fact that ”[he] has opened up an infinite number of methods while on the other hand he has left countless new problems.“ ” The aesthetic interpretation of Song Ci is the work of such a paradigm. The wide field of vision, unique perspectives, detailed analysis, and sympathetic understanding make this book an insightful part of the recently published book of word studies.