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在制造了《英雄》和《十面埋伏》两次意外之后,张艺谋从商业的制高点上再度回归,重新操持起类似于《我的父亲母亲》和《一个都不能少》的平民主义温情叙事,通过两对父子的故事来展开一幅富有东方人伦意味的画卷。影片以一对日本父子的多年误解开始。高田赶到东京去看望生病住院
After making two surprises of “heroic” and “ambush”, Zhang Yimou returned again from the commanding height of the business and reopened the gentle-hearted narrative of populism similar to “my father and mother” and “one can not live without one” Through the story of two pairs of father and son to start a rich ethnic oriental style picture. The film begins with years of misunderstanding by Japanese parents and sons. Takada rushed to Tokyo to see sick in hospital