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本刊自1989年第2期起,与巴黎第一大学美术史学报《评论—欣赏》(《l’ecrit-voir》)交换发表论文。迄今已发表该刊8篇论文:马蒂纳·马丹《马纳西埃:从宗教内容到政治内容》(89年第2期)、J·P·内罗达《古代艺术批评和“摹拟”的定义》,(89年第2期),克罗隆·提兹《印象主义的太阳——艺术史和艺术史志》(89年第3期),米列埃·阿梅《论写生—关于亚眠美术学院的几幅学生素描作品》(89年第3期)、伊夫·米肖《究竟是不是艺术以及人们可能怎么想》(89年第4期)、安妮·玛伏拉奇斯《是朱迪斯还是莎乐美——图像学上的转移与相互影响》(89年第4期)、吉耶梅特·德拉波特《1855年巴黎万国博览会——文化和思想的交锋》(本期)、科莱特·海曼—德兰《作为文化动力的诸说混合发展过程——兼谈加蓬的秘密社团布维特和约瑟夫·勃伊斯的作品》(本期)。鉴于本刊篇幅有限,另有一篇已在《世界美术》发表,即稻贺繁美《日本“前卫艺术”的潜流——一次重新定义的尝试》(89年第3期)。此外,《关于西方艺术和文化区域的思考》(让·克莱尔采访记)、让·洛德《民族学与艺术史》两文将在今年《世界美术》刊发。
Since its publication in the second issue of 1989, the journal has exchanged papers with “l’ecrit-voir”, a journal of the history of the arts of the University of Paris. So far, eight papers have been published in the journal: Martina Martan, “Manassière: From Religious Content to Political Content” (No. 2, 89), J.P. Nirona “Criticism and” Mimesis of Ancient Art “ (89, No. 2), Krolon Tizi, Impressionist Sun - Art History and Art History (89, No. 3) YAN MUSHIAO, ”What Are Art and What People May Think?“ (No. 4, 89, 89), Anne Mavrazzi Sri Lanka, ”Is Judith or Salome - The Shift and Interplay of Images“ (No. 4, 89), Jymeit de Porter, ”World Exposition Paris 1855 - Culture and Thought Confrontation (Current Issue), Colette Hayman-DeLan as a Mixing Process of Cultural Motives - Also on the Works of Bouvet and Joseph Beas, a Secret Society in Gabon, (current issue). In view of the limited length of this edition, another one has been published in World Art, the undercurrent of the beautiful Japanese “avant-garde art” - a “redefined attempt” (No. 3, 1989). In addition, Jean Lode’s “Ethnology and the History of Art” will be published in World Fine Arts this year on “Reflections on Western Arts and Cultural Regions” (Interview with Jean Claire).