王跃文为全国广大读者所接受,并成为批评界关注的焦点当是1999年《国画》出版后的事情。尔后,他就一直处于人们的热议之中。不但新作一出评论丛生,对其进行整体把握者也是不少,而对其创作进行历时性把握,并对其创作的前后流变予以比照观察者则少而又少,本文试图就此展开阐释,意图对其创作的具体进程及其审美意蕴的具体展开进行贴切的把握。 Wang Yuewen was accepted by readers across the country and became the focus of criticism when it was published after the “traditional Chinese painting” in 1999. Later, he has been in the heat of the people. Not only the new works make a great deal of commentary, but also a lot of people who grasp them as a whole, while making a diachronic grasp of their creations and less or less observers of the changes before and after their creations. This article attempts to explain this, It is intended to grasp the specific process of its creation and the concrete development of its aesthetic implication.