像唐云那样老一辈的国画家颇有中国文人的风采,而晚一辈的中国画名家,如郭西元,在今天也同样体现出文人的风采。这个现象很有意思。本期[现象]栏目特邀主持人张桐瑀就数十年后中国画坛谁主沉浮这一话题,邀集本编辑部各栏目同道尽情畅想。听起来这有点像智力游戏,但是以此作为观照美术史的方式,可不是子虚乌有。 Chinese painters of the older generation, like Tang Yun, have the style of Chinese literati, whereas the late generation of Chinese painting masters like Guo Xiyuan also present the literary style today. This phenomenon is very interesting. This issue [phenomenon] column invited host Zhang Tong 瑀 decades after the Chinese painting master who floated on this topic, invited the editorial department fellow fancy Imagine. Sounds like a bit of a game of mind, but using it as a way of looking at the history of art can be nothing.