日本著名小说作家大江健三郎,以其作品中鲜明、独特、超脱的森林文化意境荣获1994年诺贝尔文学奖。其小说风格在日本文学界独树一帜,小说内容和写作手法尤其以森林为主要叙述对象,但其内涵的韵味却能够反衬出日本在当时战争环境中的艰难抉择。大江健三郎用家乡的森林来进行写作,通过对自己亲身经历的思考与对当时社会的深刻认识,他终于认识到自己其实是属于家乡的那片森林。但是当面对东京社会的丑恶现状,大江健三郎不仅没有退缩,而是用自己心中家乡那片森林作为力量的源头,通过自己的笔锋深刻地批判了社会现实,并且通过对森林的描写真实地表现出了他对社会的关怀,同时还透露出了自己乌托邦式的理想。本文通过对大江健三郎作品中对森林文化的描写,总结出了他作品中那独树一帜的风格。 Kenjiro Oe, a famous Japanese novel writer, won the Nobel Prize in Literature in 1994 for his distinctive, unique and detached forest culture. The style of his novels is unique in Japanese literary circles. The content and writing style of the novel, especially the forest, are the main narrative objects. However, the charm of its connotation can reflect Japan’s difficult choices in the current war environment. Oe Kenzaburo used his native forest for writing. Through his own personal experience and deep understanding of society at that time, he finally realized that he actually belonged to the forest of his hometown. However, when confronted with the ugly state of society in Tokyo, Kenzaburo Oe not only did not withdraw, but used the forest in his own hometown as the source of strength to critically criticize the social reality through his writing style and to truly represent the forest Out of his caring for the community, but also revealed its own utopian ideal. This essay summarizes the unique style of his works through the description of forest culture in Kenzaburo Oe’s works.