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青铜乐器的演进是从虞夏时代的铃到殷商时代的庸(包括编庸和大镛)再到西周时代的编甬,然后扩展为春秋后的甬—纽—镈体系。青铜乐钟的演进,配合着政治体制和观念体系的演进,即配合远古仪式中心从社坛到祖庙、春秋以后由祖庙到宫殿的演进。在青铜乐钟与政治体制和观念体系的配合中,一方面要以青铜为主去统合从历史演进而来的乐器体系,即以青铜乐钟为主,统合以前曾在乐器中占主导地位的磬鼓、管龠、琴瑟,以及其他乐器;另一方面要在青铜材质的基础上去展开青铜乐器自身的体系,即由青铜乐钟本身展开为一套乐律体系,这在曾侯乙编钟里达到了完成。
The evolution of the bronze musical instruments was from the bell in the Yu-Xia era to the Yong in the Shang-dynasty (including the ban yong and the big banyan) to the reigns of the Western Zhou dynasty, and then to the Yong-New-Tien system after the Spring and Autumn Period. The evolution of bronze music clock, with the political system and the evolution of the concept of system, that is, with the ancient ritual centers from the altar to the temple, after the Spring and Autumn by the temple to the palace evolution. In the coordination of the bronze music clock with the political system and the conceptual system, on the one hand, bronze should be used mainly to unify the system of musical instruments evolved from history, that is, the bronze music clock, which has previously dominated musical instruments On the other hand, the system of bronze musical instruments should be developed on the basis of bronze material, that is, the system of music and music started from the bronze music clock itself, which is achieved in the bells of the Zeng Hou B Complete.