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一、雅与俗中国花鸟画的创作,首先应该保持本画种特有的传统审美理想、规则、标准,这种游戏(墨戏)规则的建立是由北宋做官的文人们所开创,具有“雅”的文化品质,即所谓“墨戏”、“寄兴”、“抒情”。而南宋的院体工笔画则是在皇家供养之下,这也是所谓的高雅道路。不管是北宋以来的文人们,还是南宋遗韵笼罩下的工笔画家们,在富贵、野逸、高雅的理想之下,或散淡墨戏、或富贵严谨。“高雅”、“高贵”是其基本审美倾向,也是所有人的目标。如今中国人开始富裕了,开始高价回收流落海外的中国艺术精品,如宋徽宗的《写生珍禽图》已经回归故土。中国人自信了,中国审美意识与传统觉醒了。
First, elegant and vulgar Chinese bird and flower painting creation, first of all should maintain the unique traditional aesthetic ideals, rules and standards of this painting, the establishment of this game (ink play) rules by the Northern Song Dynasty official literati to open, with The cultural quality of “Ya” is the so-called “ink play ”, “send Xing ”, “lyric ”. In the Southern Song Dynasty, the body painting was under the imperial support. This is also the so-called elegant road. Regardless of the literati since the Northern Song Dynasty, or the painters under the envelopment of the Southern Song Dynasty, under the ideals of wealth, Yeh Yeh, elegant, or loose ink play, or wealth and rigor. “Elegance ”, “noble ” is its basic aesthetic tendencies, but also for all people’s goals. Now that the Chinese have become wealthy, they have started to reclaim high-priced overseas Chinese art pieces at high prices. For example, Huizong’s “sketchbook of rare birds and birds” has returned to their native land. Chinese are confident that awakening of Chinese aesthetic awareness and tradition.