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本文将研究视角聚焦于武则天时期的云纹纹饰,围绕敦煌武则天时期开凿的代表性石窟329窟中的壁画“夜半逾城”展开讨论,深入探究这一特殊历史时段中意识形态对中国传统云纹文化的深刻影响。
This dissertation focuses on the research of Moire patterns in Wu Zetian period and discusses the frescoes in the 329 Cave of the representative grottoes of Dunhuang during the Empire period of Dunhuang, discussing the influence of the ideology in this special historical period on the Chinese tradition Moire culture profound impact.