中国书法向有碑帖之争,或以为,北碑厚重,险峻、磅礴,追求的是一个“势”字;南帖空灵,艳丽、飘逸,讲究的是一个“韵”味;北人铁骨,故碑苍,南人柔韧,故帖秀,今人习书,尝起于碑帖,而趋于兼容,南而融北,或北而会南,犹人之刚柔相济、执两用中,遂能得书法三昧。大林先生楚人,习语楚音,传承楚俗,蒙童之年,即以墨戏见称,享誉乡里。既长,偶得机缘,遂能冬临《兰亭》《圣教》二序,夏摹《书谱》《韭花》二帖,徜徉墨海,出入笔阵, Chinese calligraphy to have a fight between the inscriptions, or that the North Monument thick, steep, magnificent, the pursuit of a “potential ” character; Nantuo ethereal, gorgeous, elegant, pay attention to a “rhyme ” taste; Beijin iron bones, so the monument Cang, South flexible, so the post show, today Xi Shitu, taste rubbings, and tend to be compatible, south and north, north and south, Used, then calligraphy Samadhi. Mr. Chu Lin Chu, idioms Chu sound, inheritance Chu Chu, Meng Tong years, known as ink play, known in the village. Both long, occasionally chance, then winter can “Lanting” “Holy” two, summer copy “book” “leek flower” two posts,