刘大木魁所讲文之“神”是指作家不同的才气、个性表现于作品的精神面貌 ,所谓“气”则偏重于指文章的气势。这种“神”是内在的 ,似有“只可意会 ,不可言传”的玄妙之处 ,显然 ,这是从审美的角度对散文美学特征进行概括而提出来的 ,较唐宋派的“神理”说更具美学特色 ,也更深刻具体 The “god” of Liu Da Mu Kui’s narration refers to the writer’s different talent and personality manifested in the mental outlook of the work. The so-called “qi” emphasizes on the momentum of the article. This kind of “god” is inherent, it seems that there is the mysterious place of “can only understand, unspeakable”. Obviously, this is from the aesthetic point of view to summarize the characteristics of prose aesthetics. Compared with the “ Divine Theory ”to say that it is more aesthetic and profound