本文用精神分析学的方法,对安然的长篇小说《水月亮》中颠沛流离的情爱故事进行了微观分析。有性无爱的衣蓝、有爱无性的林小羊、无性无爱的布裙子,代表了女人灵与肉分离的三种状态。本文从小说创作学的角度考察,一个作家的著作就是他隐秘的传记,生命叙事其实是一种救赎方式。 This article uses the method of psychoanalysis to conduct a microanalysis of the love story of displaced in Enron’s Watery Moon. There is sexual love without clothes blue, asexual Lin Lamb, asexual loveless cloth skirt, on behalf of the woman spirit and the separation of the three states. In this paper, from the point of view of fictional creation, the author’s work is his secret biography. Life narrative is actually a way of redemption.