迪斯尼的《花木兰》是其为迎合大众消费而进行后现代改写和重建后的木兰故事。影片具有明显的狂欢化色彩,分别表现在全民平等的狂欢广场、狂欢广场上的加冕与脱冕主题及狂欢广场上的笑三个方面。然而深入分析我们会发现隐藏在影片狂欢化表面后的是后殖民语境下的文化霸权和文化殖民的实质。 Disney’s “Mulan” is a magnolia story of postmodern rewriting and rebuilding to cater to the general public. The film has obvious carnivals of color, respectively, in the equality of the carnival plaza, carnival plaza coronation and de-crowned theme and carnival square three aspects of laughter. However, in-depth analysis, we will find that the hidden behind the movie carnival surface is the cultural hegemony and cultural colonization in the post-colonial context.