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碑学发轫于北宋,元明一度沉寂。清初,顾(炎武)黄(宗羲)考察碑版、著录文字、研究形制、发凡体例,以碑刻为证经订史的第一手材料。碑学发展至乾、嘉、道而大盛,衍生于艺术,于是有崇尚碑刻的书派,其书学理论代表之作,向来推阮元《南北书派论》《北碑南帖论》、包世臣《艺舟双楫》和康有为《广艺舟双楫》。而清末叶昌炽《语石》为碑学的重要著作,除系统地论述各类碑刻的形制体例、分布流传、书法演变、摹拓鉴别,以及有关的遗文轶事,着重对各时代的书风和各家所书碑刻的优劣得失进行了批评,语皆公允而精当,多所创见,是一部研究书法史论不能忽视的著作。叶昌炽(一八四七—一九一七),字鞠裳,晚号缘督庐主人,长洲(今江苏苏州)人。少时就读于正谊书
Begun in the Northern Song Dynasty, Yuan Ming once quiet. At the beginning of the Qing Dynasty, Gu (Yanwu) Huang (Zongxi) inspected the tablet, wrote the text, studied the system of form and style, and used the inscriptions as the first-hand materials for the history. The development of the study of Buddhism to dry, Ka, Tao and Dasheng, derived from the art, so there are advocating the inscriptions of the school, his calligraphy theory for the work, has always pushed Ruan Yuan “North and South school theory”, “North monument” Bao Shichen “art boat Shuangjian” and Kang Youwei “art boat Shuangjiao.” In the late Qing Dynasty, Chang Chih-chih, an English language stone tablet, was an important work on the study of the inscriptions. Apart from systematically discussing the system of various types of inscriptions, the distribution of calligraphy, the evolution of calligraphy, And the merits and demerits of inscriptions of various books were criticized. All of them are fair and precise, and many are original ideas. They are a book that can not be neglected to study the history of calligraphy. Ye Chang Chi (1847 - 1917), the word Ju-chen, late King Margaret House owner, Cheung Chau (now Jiangsu Suzhou) people. Less time studying in Zhengyi book