中国当代作曲家力图在创作中张扬个性,摆脱共性写作手法的束缚。因而在音高素材的选择和加工上有着独具匠心的创意和五花八门的手法。在现代室内乐作品《于无声处》中,作曲家贾国平就选用了泛音列作为音乐发展的核心音高素材。本文通过对《于无声处》第一个段落“天边的天空”中泛音列素材进行技术分析,进而挖掘作品的艺术特色。 Chinese contemporary composers try hard to show their individuality in writing and get rid of the shackles of common writing. Thus in the pitch material selection and processing has a distinctive originality and a wide variety of techniques. In the modern chamber music work “In Silence,” composer Jia Guoping selected the overtone as the core material of music development. In this paper, by analyzing the phonetic transcription material in the first paragraph of “Silent Place”, “Sky in the Sky”, we dig out the artistic features of the works.