源于“审美无利害”观念的审美自律思想,以审美的无功利、无目的为基本内涵。它奠基于康德道德哲学的意志自律思想,强调不受外部因素束缚的自我规定性,以自由为连接二者的纽带,并最终指向“人是目的”这一主体性哲学价值取向。纵然把康德著作中所有出现“自律”字眼的言语在此尽数罗列,也未必能穷尽康德审美自律思想的全部内涵。这是因为康德所提出的审美自律虽为重要的美学命题,但更多的是指向一种美学思想的特征描述。这就意味着:康德之体大精深的美学思想,众多层面的理论阐述都是对其审美自律性特征的阐释。2如此一来,康德的审美自律思想内涵决非“相对于他律而言的自我规定性”那般单一,而是具有多个层面的丰富内涵。因此对康德审美自律思想不能停留在“盲人摸象”式的 Aesthetic self-discipline based on the concept of “aesthetic non-harmfulness” takes the non-utilitarian and non-purposive aesthetic as the basic connotation. It is based on the thought of will-self-discipline of Kant’s moral philosophy, emphasizing self-regulation not bound by external factors and connecting with freedom as the link between the two, and finally points to the subjective philosophical value orientation of “man is purpose ”. Even if all the words that appear in Kant’s writings such as “self-discipline ” are listed here, they may not be able to exhaust all the connotations of Kant’s aesthetic self-discipline. This is because the aesthetic self-discipline proposed by Kant is an important aesthetic proposition, but more is a description of the characteristics of an aesthetic thought. This means that Kantian’s profound and profound aesthetic thoughts and numerous levels of theoretical elaboration are the characteristics of his aesthetic self-discipline. As a result, Kantian aesthetic conception of self-discipline is by no means “so self-regulated in relation to other disciplines” as a single one, but rather has rich connotations at multiple levels. Therefore, Kantian aesthetic self-discipline can not stay in “Blind touch image ” type