中国戏剧有着辉煌的业绩,无论是五四以前的戏剧,还是新文学的话剧都不乏优秀之作。但从总体上来讲,这些佳作还缺乏与世界顶尖级的经典作品来颉颃的品格,这里不是说绝对没有,而是说这样的作品相对较少。新时期的文学相对繁荣,但优秀的具有经典品质的作品都鲜有,尤以戏剧为甚。上演戏曲、话剧的剧院门可罗雀的现象并不是个例。在此情况下,探讨一下中国戏剧病灶以及对策,或许是具有特殊意义的。一、历史罪过个人化的戏剧观 Chinese drama has a brilliant performance, no matter before the May Fourth drama, or the drama of the new literature are no shortage of excellent work. However, on the whole, these masterpieces still lack the character of antagonizing with the top-class classics in the world. This is not to say absolutely nothing but to say relatively few such works. Literature in the new era is relatively prosperous, but there are few outstanding works of classic quality, especially drama. It is not a case that the drama of the theater is drafted. In this case, it may be of special significance to explore the Chinese drama lesions and countermeasures. First, the historical sin of personal drama