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华嵒是扬州画派中最具代表性的花鸟画家,他的作品融入了文人画审美和民间绘画的通俗意味,具有造型奇特、笔墨柔韧、色彩艳丽、构图险绝的小写意花鸟画特征。本文以华嵒花鸟画为研究对象,对华嵒在前人花鸟画基础上的继承发展展开论述,从笔墨与色彩、构图与布置、情趣与意境三方面对其花鸟画的风格特征进行分析,以期揭示华嵒花鸟画的个性追求,透视其对后世花鸟画发展的影响。
Hua Yan is the most representative flower and bird painter in Yangzhou painting school. His works are integrated into the popular meanings of the literati painting and folk painting. They feature the characters of small flowers and birds with unique shapes, pliable touches, colorful and insignificant compositions. This paper takes Huayan bird and flower painting as the research object, discusses the inheritance and development of Hua Yan on the basis of the predecessors’ flower and bird painting, analyzes the style characteristics of its flower and bird painting from three aspects: ink and color, composition and arrangement, taste and artistic conception, With a view to reveal Hua Yan Hua Qiao’s pursuit of personality, perspective on the development of later flower and bird painting.