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按照欧洲文艺复兴所叙述的艺术史历程来看,阿尔布莱希特·丢勒(Albrecht Dürer,1471—1528年)是一位非常重要的人物,他在西方艺术史中占据着极为特殊的位置,成为文艺复兴价值观中的极受关注的全才。在对丢勒的艺术及其艺术理论被接受、被批评、被研究的进程当中,笔者发现学者们总是将丢勒的艺术成就一再与意大利的艺术大师们进行比较。文章试图从历史的视角出发,探究丢勒的绘画观与意大利文艺复兴艺术理论的渊源,希望在此研究过程中,寻找到关于“技术艺术史”发展的线索。
According to the history of the art history described by the European Renaissance, Albrecht Dürer (1471-1528) is a very important figure who occupies a very special place in the history of Western art , Has become the Renaissance values of all-minded attention. In the course of the acceptance, criticism and study of Dürer’s art and his theory of art, the author found that scholars always compare Dürer’s artistic achievements with that of Italian masters in art. The article attempts to explore the origins of Dürer ’s painting concept and Italian Renaissance art theory from a historical perspective and hopes to find clues to the development of “art and art history” in this research process.