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张骏祥先生(1996年仙逝)曾是中国影坛上的一位重量级人物。这不仅因为他编导了《翠岗红旗》《燎原》《白求恩大夫》等多部有影响的影片,还因为他是一位著名的电影理论家、电影事业家。在电影理论方面,他善于将西方电影理论话语,经过吸收、消化后,转化、生成为一种本土化的理论话语。紧密联系创作实际而又不囿于就事论事,是其理论的特色之一。1988年11月1日,我和当时中国影协电影史研究部的几位同志,在上海拜访了骏祥先生。当时,骏祥先生已年近八旬,且患有严重的高血压症,但在病中仍然热情地接待了我们,并以一种历史反思的心态,勇于批评与自我批评的精神,给我们讲了他在创作与领导工作中的诸多体会,讲了他对新中国电影成败得失的看法,为我们提供了一份很珍贵的史料。由于当时未能录音,所以,这篇文字仅根据我当时的笔记整理而成。文中若出现史实错误,由我负责。敬希了解骏祥先生谈话中涉及的有关情况的前辈予以赐教、指正。———孟犁野2002年春
Mr. Cheung Chun Cheung (passed away in 1996) was a heavyweight on Chinese film. This is not only because he has curated many influential films such as Red Flag of Cui Gang, Liaoyuan and Doctor Bethune, but also because he is a famous film theorist and film entrepreneur. In the film theory, he is good at Western film theory discourse, after absorbing, digested, transformed, generated as a localized theoretical discourse. One of the features of his theory is to closely relate to the creation of reality and not to discuss the facts. On November 1, 1988, I and several comrades from the Department of Film History of China Film Association visited Mr. Jun Xiang in Shanghai. At that time, Mr. Jun Chunxiang was nearly eighty years old and had severe hypertension. However, he still received us warmly in the illness and gave us a spirit of historical reflection, courage in criticism and self-criticism Talked about his experience in creation and leadership work, talked about his views on the success or failure of new Chinese movies, provided us with a very valuable historical data. Because of the failure to record at the time, this text was only based on my notes at that time. Text in the historical facts, I am responsible for. We sincerely wish to know about the predecessors involved in Mr. Junxiang’s conversation to be enlightenment, correction. --- Mengli wild spring 2002