以黄山为题材的绘画,起初与民国政府对黄山的旅游开发宣传有直接的关系,在艺术上则是在石涛热和黄山写生相关。在历史的视野里,黄山这个审美客体成了20世纪山水画家探索新的视觉审美空间和确立个性艺术图式的载体,黄山画的表现范围得到了前所未有的拓展。 Huangshan as the theme of the painting, initially with the government of the Republic of Huangshan tourism development has a direct bearing on the relationship between the art is in the Tao Shizhuo and Huangshan sketch related. From the historical perspective, the aesthetic object of Huangshan became the carrier of the landscape painters of the 20th century in exploring new visual aesthetics space and establishing the individual artistic schema. The scope of Huangshan painting has been expanded as never before.