主旨说明: 中国传统的写意绘画理论对写意状态有很高的要求,例如,被不断重新解释的“解衣盘礴”之说便是一例。只有进入这种状态,才有可能发露真性情,才谈得上抒写胸臆。这是写意艺术精髓的精髓。 这种状态不同于儿童信笔涂鸦,而是一种高难状态。本届展览便是一次以探讨写意状态为主旨,邀请部分理论家与画家共同对话的学术活动。 Keynote: The traditional Chinese freehand drawing theory has very high requirements on the state of freehand brushwork. For example, the explanation of “unpacking clothes” which is constantly reinterpreted is an example. Only into this state, it is possible to make a true temper, just talkative to express my feelings. This is the quintessence of freehand art. This state is different from children’s letter pen graffiti, but a difficult state. This exhibition is an academic activity that explores the freehand state and invites some theorists and artists to talk together.