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鲁迅从《狂人日记》开始到《故事新编》的《起死》为止,一共写了三十多篇白话小说。这些小说虽然大多是短篇,但这些短篇都显示出要捣毁“铁屋子”“改革社会”的巨大战斗力。它们之所以有战斗力,除了内容上的因素外,还与小说那意蕴丰富、耐人咀嚼的象征艺术的大量运用,使小说具有强烈的艺术感染力有关。象征艺术使鲁迅小说“言近而旨远”丰富了小说的内涵。
From the beginning of The Madman’s Diary to the death of the new story, Lu Xun wrote a total of over thirty vernacular novels. Although most of these novels are short stories, these short stories show the great combat effectiveness of smashing “iron houses” and “reforming the society.” The reason why they have combat effectiveness, in addition to the content of the factors, but also with the novel that rich in meaning, chewing symbol of the extensive use of the arts so that the novel has a strong artistic appeal. Symbolic art makes Lu Xun’s novel “nearness and purpose ” to enrich the connotation of the novel.