音乐诠释学(Musical Hermeneutics)~①是西方音乐发展到一定阶段的产物,是对实证主义研究方式的批判和反思,已经成为西方音乐研究的一个重要向度。相对于实证主义主要着眼于音乐事实的研究,音乐诠释学主要是关于意义的研究,这是两者的根本区别所在。~②由于19世纪下半叶才被看作独立学科的音乐学研究还没有形成自己独立的方法,也由于自然科学领域当时取得了令人瞩目的成就,来自自然科 Musical Hermeneutics ~ 1 is the product of the development of western music to a certain stage. It is a critique and reflection on the positivist research methods and has become an important aspect of western music studies. Compared with the fact that the positivism mainly focuses on the study of music facts, music hermeneutics mainly focuses on the study of meaning, which is the fundamental difference between the two. As the study of musicology, which was considered as an independent discipline only in the second half of the 19th century, has not yet formed its own independent method, and because remarkable achievements were made in the field of natural science at that time,