如何认识理解画之“气”,这既是传统绘画理论问题,也关系到民族绘画创作和欣赏的实际问题。梅墨生先生从中国哲学,文化、书画艺术论、中国画中的具体“气”作了分析论述,显得思路开阔,对于我们较全面地理悟画之“气”颇有启发。 黄宾虹是我国近现代山水画大师对他所说的“太极图是书画秘诀”的原理如何理解,对他遵循艺术规律而创造的以繁著称的绘画特色如何认识,段炼先生的文章有较为深入的分析研究。本期首次披露的黄宾虹致过旭初的一封信,则有助于了解黄宾虹晚年的绘画思想。 How to understand and understand the “Qi” of painting is not only a question of traditional painting theory, but also a practical issue of creation and appreciation of national painting. Based on the analysis of the specific “qi” in Chinese philosophy, culture, painting and calligraphy, and Chinese painting, Mr. Mei Mo-sheng seems to have an open mind that inspires us to fully understand the “qi” of painting. Huang Binhong is a master of modern landscape painting about what he called “Tai Chi is the secret of painting and calligraphy,” how to understand the principle of his follow the art of painting to create a complex style of how to know, Mr. Duan Lian’s article has a more in-depth analysis the study. Huang Binhong, the first disclosure of this issue, wrote a letter from Asahi early, which helps to understand the painting idea of ​​Huang Binhong in his later years.