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行为艺术在中国受到高雅艺术和大众艺术的双重拒斥而陷入生存困境,其原因一方面是由于部分极端行为艺术过激的表现形式和部分行为艺术家国学修养的欠缺,另一方面是由于中国大众的审美深受儒家美学思想的影响且对现代艺术的审美能力整体较弱。本文从“中和”、“仁礼”、“美善统一”和“正名”四个方面去深入探析行为艺术与儒家美学思想矛盾冲突,提出从行为艺术家自身和中国大众审美视野两方面入手解决行为艺术在中国的生存发展问题的方法。
The reason that performance art is trapped in the predicament of existence in China due to the dual rejection of elegant art and popular art in China is partly due to the exaggerated performance of some extreme performance art and the lack of academic training by some performance artists. On the other hand, Aesthetics is deeply influenced by the Confucian aesthetic thoughts and the overall aesthetic power of modern art is weaker. This article explores the contradictions and conflicts between performance art and Confucianism aesthetics from four aspects of “neutralization”, “benevolence”, “unity of beauty and goodness” and " Public aesthetic perspective to solve the two aspects of performance art in China’s survival and development methods.