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每个人都是带着个人的生动历史进入大都市的。凭借它可以对比出以往的偏执、纯情和幻灭。一个有机的个人历史的空前震颤在提示着大都市的多元格式与不协调性。原初的自我表达受到了限制,它必须在超越都市的过程中贯彻自己。这在不同程度上体现了从原本的自我到大都市生态之间的尴尬距离,各自的身份似乎具有生存者与旁观者的双重性。——《后娘主义》尹吉男
Everyone enters the metropolis with a vivid personal history. With it you can compare the past paranoid, innocent and disillusioned. The unprecedented tremor of an organic personal history is a reminder of the multivariate format and incompatibility of the metropolis. The original self-expression was limited, it must be in the process of transcendence of the city itself. To varying degrees, this embodies the embarrassing distance from the original ego to the metropolitan ecology. Their respective identities seem to have the duality of survivors and spectators. - “Bridesmaid” Yin Ji male