清末以降,中国绘画与中国文化共同面临存亡绝续的危机。如何生存发展,成为近代中国第一流才智之士殚精竭虑的焦点。近百年来的中西文化论战,与中国艺术现代化的争辩,至今尚未结束。概括而言,除了“死守传统”与“全盘西化”两极对峙之外,就是以西方的观念与方法来改造中国文化,以及以中国文化为主体,吸收其它文化之营养来谋求中国文化的再生这两条路。 In the late Qing dynasty, Chinese painting and Chinese culture face the crisis of continuous existence. How to survive and develop has become the focus of modern first-rate talents in China. The controversy over the past century about the controversy between Chinese and Western cultures and the modernization of Chinese art has not yet ended. To sum up, in addition to the confrontation between the “sticking traditions” and the “omnipotent westernization”, it is to reconstruct Chinese culture from Western concepts and methods, and to take Chinese culture as the main body to absorb the nutrition of other cultures to seek the rejuvenation of Chinese culture. Two roads.