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讨论了民族音乐学定义的多样性、界定一个学科的不同方式、“民族音乐学”这一术语的历史、民族音乐学家的主要研究活动以及最后在该领域找到自己的那一类人。此外还试图提出一个对全书来说是最重要的钳形定义,并且把它和四方面的信条连接在一起:(1)民族音乐学是研究文化中的音乐的;(2)民族音乐学是从比较的观点和相对主义的观点来研究世界上的音乐的;(3)大体上说,民族音乐学是研究田野调查之效用的;(4)民族音乐学是研究一个社会所有的音乐表现形式的。
Discusses the diversity of definitions of ethnomusicology, different ways of defining a discipline, the history of the term “ethnomusicology”, the main research activities of ethnographic musicians, and finally the type of person who finds oneself in the field. In addition, we try to come up with a definition of clamp that is the most important definition of the book, and connect it with the creed of four aspects: (1) ethnomusicology is the study of cultural music; (2) ethnomusicology is (3) In general, ethnomusicology is the study of the usefulness of fieldwork; (4) ethnomusicology is the study of a socially-owned form of music of.