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无论是《天望》对“娜拉出走”“身份认同”主题的升华,还是《天外》对身体与灵魂的双重追问及宗教、哲学之思,欧洲华人新移民女作家林湄以十年磨一剑的功夫打造出的这两部长篇小说,既凝聚着作家个人对人类命运的终极关怀,标志其创作心路的蜕变,同时也表征着新移民文学与此前留学生文学书写的不同质的变化,于边缘视角审视文明和现代人的生活困境,超越二元对立的对话立场,为华文文学提供了新的思想内涵、美感经验及文学书写形态。
Whether it is the sublimation of the theme of “Heavenly Wishes” to “Nora’s Going out” or “Identity”, or the double questioning about the body and the soul and the religious and philosophical thinking of Heaven and Earth, Lin Mei, a new Chinese immigrant woman writer These two novels created by Kung Fu ten years of sword not only embody the individual writer’s ultimate concern for the fate of mankind, but also symbolize the transformation of his creative mentality, as well as the different qualities of the new immigrant literature and previous literary writing The paper examines the predicament of life of civilizations and modern people from the perspective of the periphery and transcends the dialogue position of dual opposition so as to provide Chinese literature with new ideological connotation, aesthetic experience and literary writing.