论文部分内容阅读
黑格尔关于艺术发展最终走向消亡的哲学预判,为后现代语境下的“艺术终结”论提供了理论资源。在后现代时期,一方面,由于商业化的影响,艺术正逐步失去批判的潜质和揭示真理的功能,走向所谓的“终结”;另一方面,肇始于杜尚现成品艺术的概念主义,表面上以“概念”为支点与黑格尔的艺术发展论建立某种关联,但概念主义艺术作为当代艺术的发展趋势,却需要新的理论资源支撑。
Hegel’s philosophical pre-judgment on the ultimate demise of art development provides a theoretical resource for the theory of “the end of art” in the postmodern context. In the postmodern period, on the one hand, due to the influence of commercialization, art is gradually losing its potential for criticism and revealing the function of truth and moving toward so-called “endings.” On the other hand, conceptualism originated in Dusan’s modern art On the surface, with “concept ” as the fulcrum and Hegel’s theory of art development to establish some kind of relationship, but as the development trend of contemporary art, conceptualism art, but need new theoretical resources to support.