元气、学养、手艺,三者于书法家缺一不可。而最怕不学不养,元气耗尽,手艺不但无进,连原已能者亦渐丢失,可叹也。当前谈“文化”之风大炽,诸如食文化、茶文化、酒文化、还有性文化等等。书法当然更是文化了。谈书法文化者提学养,鄙手艺,更少谈元气。殊不知少了元气什么也算不上。但元气也是要养的,西门庆原来元气颇旺,很有希望登上性文化学者的宝座的,然不学不养,只登徒子,疯狂沉湎于物性操作层面,终于剥尽元气,纵欲丧身,呜呼哀哉。书法家一天到晚赶场子、拉关系,元气大伤,作 Strength, learning, craft, the three are indispensable to the calligrapher. The most afraid of not learning do not support, strength depleted, not only did not enter the technology, even the original can have gradually lost, can be sigh also. The current talk about “culture ” style incandescent, such as food culture, tea culture, wine culture, as well as sexual culture and so on. Of course, calligraphy is more of a culture. Talk about calligraphy and culture were raised, handiwork, less talk about strength. I do not know less vitality nothing. However, strength is also necessary to support, Ximen Qing original strength is quite prosperous, promising to board the throne of cultural scholars, but not learn, only deportee, crazy indulgence in physical operation level, and finally exfoliate the vitality, lust Dying, woe sad. Calligrapher hurries all day long, pull relationships, vitality, for