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文章简述了由在上海OCAT美术馆举办的“格物”展所引发的一个理论话题:建筑展览的场域是展览实际发生的“展场”还是展览所基于的基地的“现场”?建筑和绘画不同,它没有一个被“再现”的源头,与此同时,建筑又有着比绘画要强得多的与现实的联系。针对国内最近兴起的建筑展览热潮,作者提出并分析了建筑展览中一系列复杂“关系”的命题。
The article outlines a theoretical topic triggered by the exhibition “Grids” held at the OCAT Art Museum in Shanghai: The field of architectural exhibitions is whether the exhibition actually takes place in “exhibition halls” or the base on which the exhibition is based. On the scene, “unlike architecture and painting, none of it is the source of” reproduction, “and at the same time, architecture has much more realistic connections than painting. In response to the recent upsurge in architectural exhibitions in China, the author presents and analyzes a series of complex ”relations" propositions in architectural exhibitions.