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契诃夫小说中的女性形象由灾难深重到逐步觉醒,直至最后走进社会运动,是一个逐步觉醒的过程,在这些女性形象中体现了19世纪俄国社会运动思潮的变化。他在小说中塑造的女性形象背后潜藏着男性中心和俯视视角的制约,这些女性形象是在男性视角下塑造的,不能表现出女性独特的心理体验和丰富细腻的内心世界。
The image of women in Chekhov’s novel, from a deep disaster to a gradual awakening, finally entered the social movement. It is a gradual process of awakening. These female images embody the changes in the trend of Russian social movement in the 19th century. Behind the female image he created in the novel lies the masculine center and the top-down perspective. These female images are shaped from the perspective of men. They can not show the unique psychological experience of women and the rich and delicate inner world.