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清代画家石涛在描述水墨画发展进程时曾以文喻画:“上古之画迹简而意淡,如汉魏六朝之句然;中古之画如晚唐之句,到元则如阮籍、王粲矣,倪黄辈如口诵陶潜之句。”这段文人味道十足的话其实也道出了一个审美风格流变的史实:山水画的设色自从六朝萌芽以来,经历了由隋唐的“大青绿”逐渐向两宋的“小青绿”再至元明“浅绛”山水画的嬗变。这种渐进
Qing Dynasty painter Shi Tao in the process of describing the development of ink painting was a literary hymn: “The traces of ancient paintings and the Italian light, such as the Han Wei and the Six Dynasties sentence Ran; medieval paintings such as the late Tang sentence, In fact, this article also tells the truth of a change in aesthetic style: the color of landscape painting has sprouted from the beginning of the Sui and Tang dynasties, ”Da Qing Green“ gradually shifted to ”Xiao Qing Green“ in both Song Dynasties and Yuan Ming ”Shallow Jiang" landscape painting. This gradual