“写意”在《现代汉语词典》中是这样解释的:通过简练的笔墨,描绘对象的意态神韵,注重神态的表现来抒发作者的情趣。如南宋梁楷、法常,明代陈淳、徐渭,清初朱耷等,均擅长此法。作为中国传统绘画之特点的笔墨造型体现了画家作品的写意性。八大山人(以下简称“八大”)与潘天寿先生是不同时期的两位大师,他们的绘画作品中处处流露出扎实的书法功底,而且都透露出雄健老辣、凝练刚直的用笔特点,以此来表现孤寂愤世、抵抗外来民族入侵的精神世界。中国的传统绘画是写出来的,以线来造型表现物象,通过用笔表达情感,而在谢赫的“六法”中“骨法用笔”也是 “Freehand ” in the “Modern Chinese Dictionary” is explained in this way: Through the concise pen and ink, depict the object of the charm of the state, pay attention to the expression of demeanor to express the author’s taste. Such as the Southern Song Liang Kai, France and France, the Ming Dynasty Chen Chun, Xu Wei, Qing Zhu Zhu, are good at this method. The shape of ink and brush as a characteristic of Chinese traditional painting embodies the freehand style of painter’s works. Bada Shanren (hereinafter referred to as the “Bada”) and Mr. Pan Tianshou are two masters of different periods. Their works of painting show a solid grounding in calligraphy, and all reveal the powerful and concise pen features , In order to show loneliness and resist the spirit world of invading foreign nationalities. Chinese traditional painting is written out, using lines to shape the representation of objects and express emotions by using a pen, and in Sheikh’s “Sixth Laws,” “bone brush” is also