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该文从系统功能语言学的角度对美国女性主义作家夏洛特·珀金斯·吉尔曼(1 860～ 1 93 5)的代表作《黄色墙纸》进行了文体分析。系统功能文体学特指以韩礼德的系统功能语言学为基础的文体派别 ,韩曾强调将文学文本当成语言学分析的对象。文章试图从主位结构、投射小句复合体和人际功能三方面着手分析 ,以支持和发展韩的理论。阅读的过程是一个不断解读的过程 ,而女性主义文学正在经历着这个解读过程。作者认为在这个不断发现和解读的过程中 ,需要各种理论指导 ,用系统功能语言学分析的方法来探讨此作品的深层含义 ,不仅揭示出作品的重要主题是女性在男性控制下的生活经历以及女性的逐渐觉醒 ,而且可以清楚地发现妇女作家笔下的疯女人的形象是作者本人的重像 ,倾诉了作者本人的忧虑、愤怒以及觉醒。
This essay analyzes the stylistic analysis of “Yellow Wallpaper”, the representative of American feminist writer Charlotte Perkins Gilman (1860-1953) from the perspective of systematic functional linguistics. Systemic Function Stylistics refers specifically to Halliday’s system functional linguistics as the basis for stylistic factions. Han emphasized that literary texts should be the object of linguistic analysis. The article tries to analyze the thematic structure, projection clausal complex and interpersonal function in order to support and develop the theory of South Korea. Reading process is a continuous process of interpretation, and feminist literature is going through this process of interpretation. The author believes that in this process of continuous discovery and interpretation, various theoretical guidance is needed, and the deep meaning of this work is explored by the method of systematic functional linguistic analysis. It not only reveals that the main theme of the work is the life experience of the female under the control of the male As well as the gradual awakening of women. It is also clear that the image of the crazy woman under the penmanship of the woman writer is the author’s own image, confiding the author’s anxiety, anger and awakening.