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2009年,电影《风声》作为中国大陆首部谍战大片,不仅在当年取得了不俗的票房成绩,也收获了各界的赞誉之声。时隔多年,电影中悬念重重的故事设置、丰富饱满的人物形象、崇高伟大的主题信仰,依然给受众无限的感慨和思考。所以,本文试着从这部经典的谍战电影入手,以叙事学为阐释框架,从叙事角度、叙事时间、叙事语法三个方面来浅析电影《风声》的成功之道。
In 2009, the film “Wind” as the first large-scale spy games in mainland China, not only achieved good box office results that year, but also gained the praise of all walks of life. After years, the film set in suspense stories, rich and full of character images, lofty theme of the great theme of faith, still give the audience unlimited emotion and thinking. Therefore, this article attempts to start from this classic Spy-War movie, narratology as the framework of interpretation, from the narrative point of view, narrative time, narrative grammar three aspects to analyze the movie “wind” success.