论文部分内容阅读
在四川当代诗坛上,良草无疑是一位有着纯质意味的抒情诗人。他的诗歌既没有刻意地追随西方现代派过于迷离幻象的遗风,也未全然按照传统艺术标准进行诗艺世界的建构,而是让诗歌驯服于自己的情感与思想、心灵与精神的表达需要,从而将诗人在人生历程中的生命直觉和内在感悟予以了充分的艺术化,其整个诗歌创作中便构造出了一种既相通又存异的诗意表述。本文就是对之的一种美学阐释。
In contemporary poetry in Sichuan, good grass is undoubtedly a pure lyric poet. His poems neither did not deliberately follow the legacy of the illusion of Western modernism, nor did they completely construct the world of poetry and art according to the traditional artistic standards. Instead, they tamed their poems to their own emotions and thoughts, mind and spirit, Therefore, the life intuition and inner perception of the poet in the course of life has been fully art, and throughout the poetic creation, it has constructed a kind of poetic expression that is both connected and different. This article is an aesthetic interpretation of it.