“跨文化形象学”讨论国家形象在异域中的建构性表达与传递,从认识论的角度出发,可将其归结为形象建构的“镜像—溢出”效应。其中“镜像”效应针对表达,包含了“想象动机污染”、“事实无涉”、“具体情境”和“主观置信”四条原则,涉及对西方国家建构“中国形象”的分析与阐释;“溢出”效应针对传递,含有“霸权”、“形象差序”、“合谋”和“多元排除”四条原则,涉及西方“中国形象”建构在全球范围内跨国界流动的问题。这些原则源自康德的知性范畴论,在逻辑上体现层层递进的关系,为解读跨文化形象学提供明确的范畴体系。 “Intercultural Imagination ” discusses the constructive expression and transmission of the national image in different regions. From the perspective of epistemology, it can be attributed to the “image-overflow ” effect of image construction. Among them, the “mirroring” effect is directed at the expression and includes the four principles of “imagining motivation pollution”, “not involving facts”, “specific situations” and “subjective beliefs” Analysis and Interpretation of “China Image”; “Spillover” Effect Targeting the four principles of “hegemony”, “image differentiation”, “collusion” and “multiple exclusion” The Western “China Image” builds the problem of cross-border mobility across the globe. These principles originated from Kant’s category of intellectual categorization, which logically embodies the progressive relationship and provides a clear category system for interpreting intercultural image.