论文部分内容阅读
在西方,摄影发明不久,H·保罗·德拉罗什即发表预言:“从今天起,绘画死亡了。”著名摄影评论家瓦尔特·本雅明等看到的是摄影对绘画所构成的威胁,国内外很多研究者多从社会文化和心理学的角度来分析摄影对绘画的影响。随着摄影、广告、电视等公共图像对艺术的影响,视角新颖,这几年有很多人开始研究这方面的影响。85新潮至今,各种绘画形式都相继出现,中国当代艺术呈现出多元化风貌,经历了发展史上一个非常活跃的阶段。本文旨在通过将摄影的“特殊效果”与具体油画作品进行实例比较,讲究直观性,探讨摄影对当代油画艺术的多方位影响与渗透,比如题材、观念、形式等方面导向性影响。
In the West, shortly after the invention of photography, H. Paul de la Roche published his prediction: “From now on, the painting dies. ” The famous photography critic Walter Benjamin and others saw the composition of photography on painting Many researchers at home and abroad analyze the influence of photography on painting from the perspectives of social culture and psychology. With the impact of public images such as photography, advertising, and television on the arts, and new perspectives, many have started to study the impact in this area. Since the trendy of 85, various forms of painting have appeared one after another. Chinese contemporary art presents a diverse style and has undergone a very active stage in its history. The purpose of this article is to compare the examples of “special effects” of photography with the specific oil paintings, pay attention to the intuition, and explore the multi-directional influence and penetration of photography on contemporary oil painting art, such as the directional influence of theme, concept and form.