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引言“陌生化”这个词是由俄国形式主义运动的领袖人物维克托什克洛夫斯基提出的(1914《词语的复活》)。在内容与形式上违反人们习以为常的事、情和理,同时又在艺术上又超越平常境界。杨丽萍在《女儿国》中用她独特的陌生化言说方式,描绘着云贵高原花腰傣女人的生活图景,述说着特定地域、特定生活环境下女人被牵绊住的美,折射出一种缘自亘古的伟大牺牲精神。更用她独特的艺术直觉引领着我们重拾早已遗忘的生活常识,获取生活的真谛。《女儿国》这个舞蹈之所以能抓人眼球并使很多人产生共鸣,其原因在于该舞蹈的陌生化效果与编导从心底发
INTRODUCTION The term “defamiliarization” was put forward by Viktor Clovsky, the leader of the Russian formalist movement (1914, “The Resurrection of Words”). In content and form, it violates people’s habits, feelings and reasons, and at the same time surpasses art in their usual realm. In her daughter country, Yang Liping uses her unique and unfamiliar way to depict the picture of the life of Huayao Dai woman in the Yungui-Guizhou Plateau, and expounds the beauty of the woman in a particular area and life under certain circumstances, Since the ancient great sacrifice. With her unique artistic intuition, she leads us to regain the common sense of life that has long been forgotten and gain the true meaning of life. The reason why the dances of “Daughter Country” catch the eye and resonate a lot of people is that the defamiliarization effect and director of the dance are from the heart