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中国山水画以独立一门论,肇于魏晋南北朝。因社会板荡,政权迭乱,致使士民弃儒学而潜心老、庄。避祸归隐于田园,陶然寄情于山水。远庙堂纷争,以求安逸宁静之清远玄妙境界。努力于探寻现实人生中自我存在之终极意义,把握天地宇宙之人文精神于生命创造之中。发天地之虚灵,赋山水以情致。于是,与田园诗同起,山水画兴焉。
Chinese landscape painting to an independent theory, originated in the Wei, Jin and Northern and Southern Dynasties. Due to social slack, the regime overruled, resulting in scholars abandon Confucianism and devote themselves to the old, Zhuang. Refuse to hide in the past due to disaster, Tao Ran sent love landscape. Far temple complex disputes, in order to seek peace and tranquility Qingyuan mysterious realm. Strive to explore the ultimate meaning of self-existence in real life and grasp the humanistic spirit of heaven-earth universe in the creation of life. Made the world’s virtual spirit, Fu landscape to love. So, together with the idyllic, landscape Yan Xing.