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由法国学者德里达一手打造的解构主义学说,在颠覆了西方思想传统之际,也让热衷于高谈阔论的现代本体论文论走到了尽头。这种状况既让关于艺术实践的话语得到前所未有的解放,也让当代诗学陷入了一种无根的困境。只有走出这种困境才能将重建文艺学新格局的话题重新提上议事日程,方兴未艾的后形而上学思想不失为一条有效的途径。通过对解构主义批评逻辑的解构与后形而上诗学方案的建构,我们或许能为21世纪的中国文论提供一份具有建设性的参照。
The deconstruction doctrine created by the French scholar Derrida has brought an end to the modern ontology essay keen on rhetoric while subverting the tradition of Western thought. This situation not only liberated the discourse on artistic practice as never before, but also put contemporary poetics in a rootless predicament. Only by getting out of this predicament can we re-put the topic of rebuilding the new landscape of literature and art onto the agenda. The post-metaphysical thinking in the ascendant is an effective way. Through the deconstruction of the logic of deconstruction criticism and the construction of post-metaphysical poetics, we may be able to provide a constructive reference for Chinese literary theory in the 21st century.