自从上个世纪70年代末至今,魔幻现实主义文学思潮引入国内业已三十余载,经历了较为明显的大起大落的转折过程。“新时期”崛起的作家们纷纷涉足试水,理论批评界、文学界也都曾进行过旷日持久的激烈讨论。进入21世纪之后,百家争鸣不再,群起效尤降温,风靡一时的魔幻现实主义在国内大有昨日黄花的发展态势,最后竟失落到似乎只剩下了一个马尔克斯的惨淡地步。然而,魔幻现实主义的落潮只是表面的不争事实,透过式微的表象我们能够感受到内中 Since the late 1970s till now, the trend of magical realism literature has been introduced into China for more than 30 years and has experienced a rather obvious turning-point. The writers of the rise of the “new era” have set foot in the test of water and the theory and criticism, and literary circles have also conducted protracted heated debates. After entering the 21st century, the contention of a hundred schools of thought is no longer under way. The fantastic magic realism, which has been especially effective in cooling off all walks of life, was greatly hindered by the developments in the country yesterday. It finally fell to the point where only Malkus’ remnants were left behind. However, the ebb and flow of magical realism is only an indisputable fact on the surface. Through the slight appearance we can feel the inner