前不久在天津大剧院小剧场观看了夏铭导演的舞蹈剧场作品《追星星的人》。寄情于遥远的星星,却又落脚到当代社会情感,以父女之间的情感故事为依托;是舞蹈剧场作品,却又运用了大量的多媒体手段,使得这部剧显得颇有些不同,或可称之为实验舞剧。这里的实验,借用自70年代末80年代初实验戏剧中的“实验”。实验戏剧引入象征主义、表现主义、荒诞派、意识流等西方现代主义,在创作、导演、表演三个层面上都不再遵循斯坦 Not long ago in the Tianjin Grand Theater, a small theater watched Xia Ming’s dance theater work “chasing stars”. Love in the distant stars, but also settled in contemporary social emotions, relying on the emotional story between father and daughter; is the dance theater works, but the use of a large number of multimedia tools, making the show looks quite different, or Called Experimental Dance. The experiment here borrows from “experimental” in experimental theater since the late 1970s and early 1980s. Experimental drama introduces western modernism, such as symbolism, expressionism, absurdism and stream of consciousness, which no longer follow Stein in three aspects: creation, director and performance