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在后现代历史语境里,主体一方面深陷于文化之全方位的意识形态化藩篱,高度理性化和逻辑化的思维方式,消解了内在的审美感性和审美冲动,失落了诗意化的生存期待和终极的审美信仰;另一方面,沉迷于消费社会的交换价值和符号价值,由此产生心理的物化需要,追逐奢侈的消费欲望和沉醉于知识、商品、名利、权力等现实性对象,导致审美物化的悲剧结果。主体丧失了审美需要和审美判断力,成为感官欲望、技术需要和消费活动的奴隶。在历史和心理的双重情境下,美学呼吁重建诗性主体,既拒绝物化需要,也拒绝虚假和庸俗的审美需要,恢复和强化真实的审美需要,使审美需要的心理动机得到净化和升华。这要求我们必须认识诗性主体和审美需要的逻辑关系及其重要意义,必须对审美需要有一个审查、清理、澄明而后回归其本质的过程。
In the postmodern historical context, on the one hand, the subject is deeply trapped in the full range of ideological barriers of culture, highly rationalized and logical way of thinking, eliminating the inherent aesthetic sensibility and aesthetic impulse, and losing the poetic existence Expectation and ultimate aesthetic beliefs. On the other hand, they are addicted to the exchange value and symbolic value of the consumer society, resulting in the need of psychological materialization, the pursuit of extravagant desire for consumption and the immersion in realistic objects such as knowledge, goods, fame and fortune, power, Lead to the result of the tragedy of aesthetic materialization. The subject loses its aesthetic needs and aesthetic judgment and becomes a slave to sensual desires, technical needs and consumption activities. Under the dual situation of history and psychology, aesthetics appeals to reconstruct the poetic subject, rejecting the need of materialization as well as refusing the aesthetic need of falsehood and vulgarity, restoring and strengthening the real aesthetic need, purifying and subliming the psychological motivation of aesthetic need. This requires that we must recognize the logical relationship between the poetic subject and the aesthetic needs and its significance. We must have a process of review, cleanup, clarification and return to the essence of the aesthetic needs.