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近日读《中国语文》1997年合订本,其中有一篇文章使笔者特感兴趣,就是第5期378页喻卫平先生的《明代的上声连读变调现象》。喻文根据王骥德(?-约1623)《曲律·论平仄第五》的叙述,推论上声连读变调现象至少在明末已成为普遍的规律。该文篇幅不长,而证据确凿,实为研究声调演变史的宝贵资料。不过,据笔者所知,还有一种韩国古代资料也记载了上声连读变调的问题,且其时代较喻文所举资料要早得多,可作为喻文的补充证据。
Recently read the “Chinese language” 1997 bound book, of which an article so that the author is particularly interested, is the fifth of 378 pages Mr. Yu Weiping’s “Ming Dynasty on the pitch”. Yu Wen According to the account of Wang Ji-de (? - 约 1623) “Music Law On Peace Cheek Fifth”, it is deduced that the phenomenon of tone-tuning of upper-voices has become a universal law, at least in the late Ming Dynasty. The article is not long, but the evidence is conclusive, in fact, valuable information for the study of the evolution history of tone. However, as far as I know, there is also a kind of ancient Korean material which also records the problem of the tone-changing tone, and the metaphorical texts cited in this period are much earlier in information and can be used as supplementary evidence for Yu Wen.