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本期[批评]栏目刊发的三篇文章结合具体的展览或活动,谈及中国的装置艺术和行为艺术。对于这些艺术现象, 一些刊物已经有所讨论,但侧重点有所不同。我们认为,对于新的艺术形式,应该持宽容的态度。事实上,当前的社会心态也的确是宽容的。但仅有宽容是不够的,还应从学理角度加以深入探讨,如此才能使艺术健康发展。本期的[批评] 还有一篇短文谈了“鉴定家”身份错乱的现象。改变“鉴定家”混乱的局面,对促进学风的好转,也是有帮助的。
The three articles published in this issue of “Criticism” talk about the installation art and performance art in China with specific exhibitions or events. Some of these publications have been discussed for these artistic phenomena, but the emphasis is different. We think that we should adopt a tolerant attitude toward the new art form. In fact, the current social mentality is indeed tolerant. However, tolerance is not enough, but also should be discussed in depth from the academic point of view, so that the healthy development of the arts. In this issue of [Criticism], there is also an essay on the phenomenon of “identification” identity disorder. It is also helpful to change the confusion of “appraisers” to improve the style of study.